Unite Habitation Marseilles By Le Corbusier

Unite Habitation Marseilles By Le Corbusier Unità © DHabitation Marseilles by Le Corbusier was actually the starting point of all basic theories regarding town planning and dwellings that we have today. The giant, twelve-storey apartment block can fit 1 600 people is cast to solve a severe post Second World War housing shortage. It is specially build up to human scale and also emphasize the beauty of using bare concrete (J.R Curtis, 1996). Le Corbusier compare the bare concrete of the Unità © to human skin, which shows it age and character it flaws.which. The building is situated on a nine acre site on the outskirts of Marseille, has an east-west orientation. It is 450 feet long, 80 feet wide and 185 high (Birkhauser, 1995). The apartments, all built on two levels, are conceived as individual bottlerack. The northern faà §ade is empty, while the other facades are filled by the glass walls and sunbreak loggias of the living area (Choay F, 1960). The design of this Unità © is according to solar shading, ventilation, and also passive heating due to the position of the faà §ade. Unità © DHabitation Marseilles consists of 377 different apartments. It includes 23 discrete types of apartments ranging for single occupants as well for big families (Choay F,1960). Basically, the structure of this building is simple; a rectilinear building which has different precast individual units slotted into it. Le Corbusier intends to make it that way, so it looks like bottles into a wine rack; because that is how he derives the idea of this Unità © DHabitation. 15 measures of the Modulor are also used to dimension the Unità © (Birkhauser, 1995). Right after the Second World War, as what had been expected from the static surrounding of the France government, Le Corbusiers promotion of his urban dwelling proposals were quite complex to be realized due to some of the political issues that is happening by that time. (Choay F, 1960). However, Le Corbusiers resolution to this historical conflict of individuals and collective was the Unità © DHabitation. This so called vertical garden city of the Unità © DHabitation assured that this Unità © can bring phenomenal changes to the whole situation of the post-war. Le Corbusier classified this unit as the extended dwelling, due to the services and facilities provided to the individual home through collective (Choay F, 1960). To intensify the idea of Unità © DHabitation as a collective housing prototype, he eventually filled it with with various professional offices, shops and services. These apartments are made distinctive to each other by having twos and overlap head to foot along the inside corridors named interior streets. These streets were placed on every two floors giving passage to apartments that is paired at the level of the living room (in the lower apartments). Le Corbusier also deliberated all the corridors as instruments of the collective. He even made these interior streets in his urban theory as the sixth in a hierarchy of seven ways of urban circulation (Choay F, 1960). Besides that, level 7 and 8 of the Unità © was bringing together commercial stores such as food, apparel, pharmacy and even hairdresser. On the other hand which is the 18th level, the terrace roof was accommodating with a number of facilities for collective use: day nursery, kindergarten, gymnasium for adults, open-air theater and even a 300 meter race track (J.R Curtis, 1996). THE ARCHITECT, LE CORBUSIER Biography and Influences Le Corbusiers real name is Charles-Edouard Jeanneret. He was born on 6 October 1887 in La Chaux-de-Fonds Switzerlands. He was the second son of Georges-Edouard Jeanneret, a dial-painter in watch industry and and Madame Marie-Charlotte-Amelie Jeanneret-Perret, a musician and piano teacher (Deborah G, 2006). His familys Calvanism, very enthusiastic for the Jura Mountains, love the arts and Charles LEplattenier, a teacher at a local art school were all formative influences on the young Le Corbusier. In particular, LEplattenier played important roles in his artistic development were also very active in searching for a new kind of aesthetics, that could represent the Jura Landscape and could be used by local craft industry. Le Corbusier became an apprentice to a watch engraver; however he had to give it up later on due to his poor eyesight. He began to study decorative art with an aim to become a painter but he also studied architecture on the advice of LEplattenier whom he called My Mast er (Deborah G, 2006). Le Corbusier travelled to many countries as a way to improve himself. After completing his first house, Villa Pallet, in 1907, in 1908 to 1912, he had travelled to Vienna, Paris, Munich, Italy, Eastern Europe and also Acropolis. Due to travelling, he became more familiar with the latest architectural movements such as the structural rationalism of Auguste Perret, a pioneer of reinforced concrete construction, and the Werkbund perspective of Peter Behrens which were total different from the LEplatteniers theories (Deborah G, 2006). He went back to La Chaux-de-Fonds in 1912 and started to teach along with LEplattenier and started his own independent architectural studio. Before the First World War, Le Corbusier spent few months in Germany where he is still frequented Behrens studio and by that time he is acquainted with the Werkbund. However, the war intteruptes his career and he spent for years as a teacher at his old school in La-Chaux-de-Fonds (Deborah G, 2006). During the war, Le Corbusier conducted a research on the Modulor, a rule of proportion that is based on quadrature and Golden Section to measure the human body. Later in Unite DHabitation, he applied the Modulor system and extended it to both large and small dimensions. This was a great tradition as a continuation to the Renaissance anthropometries, to Vitruvius and even Pythagoras (Deborah G, 2006). Immediately after the war, Le Corbusier returned to Paris. He met Amà ©dà ©e Ozenfant, a Cubist painter and both of them together publish their manifesto, Aprà ¨s le cubisme and established a new artistic movement, Purism, which is called for the restoration of the integrity of the object in art in 1918 (Choay F, 1960). They also published a journal named LEspirit Nouveau. Le Corbusier piled up essays from the journal in a book Vers Une Architecture. In the essays, he came up with a proposal that architecture by that time should satisfy both the demands from the industry and the perpetual architectural form as defined in antiquity (Deborah G, 2006). Influenced by problems that he saw in industrial cities at the turning of the century which is between the 19th and 20th century, Le Corbusier eventually become the pioneer of the modernist movement. He planned and thought of a way to create a better society and living conditions by creating a new housing concept since industrial housing techniques led to overcrowding, dirty and lack of moral landscape. By that time, he was also heavily influenced by Ebenezer Howards Garden Cities of Tomorrow (Birkhauser, 1995). In 1922, Le Corbusier and his cousin, Pierre Jeanneret formed an architect partnership. They placed their office in the corridor of a former Jesuit Monastery at 35, Rue de Sevres. It eventually remained forever as Le Corbusiers office for the rest of his life. Le Corbusier died while swimming in the Mediterranean due to heart attack (Choay F, 1960). LE CORBUSIER Le Corbusiers Philosophy Impact Modulor System Le Corbusier was famous for his use of mathematics in his architecture. By that, he eventually develops a system called Modulor System which is a rule of proportion that pertains the geometric proportion of Quadrature and Golden Section the measure of human body (Deborah G, 2006). It is very interesting to see how he sees the Golden Section (the use of geometry of phi), Ancient Egyptians pyramid and Greeks Phytogoras as an inspiration for him to developed this modulor system. It is quite obvious that Le Corbusier was admiring Classicism. This can be seen as he was referring to Vitruvius, Leonardo and Alberti by the time he develops this Modulor System based on the human bodys proportions. And actually that was how the modulor system came up in his own unique modernization of those classical ideas; proportion, harmony and balance (Judi Loach, 1998) The Golden Section and quadrature were parts of the classical methods that had been before until the Renaissance. However, Le Corbusier wanted to do something with it and thus he developed an ideal proportion that would help the designer in integrating human scale in mind while designing. He eventually make the Modulor system to become an international methodology that could be a guideline in the design process. In addition to that, he also translated it to inches so that everyone including the non-metric countries could use the system (Judi Loach, 1998). According to him, the idea for this Modulor system was from a vision of hypothetical man inscribed with three overlapping but contiguous squares. However, there was also a few problems with that earlier Modulor system. Figure 2 The images shows the Red and Blue series of Modulor (Judi Loach, 1998) Nevertheless, after a few experimentation, Le Corbusier came up to a settlement on a six foot tall (1.828m) English, male, body with an upraised arm (Judi Loach, 1998). The man was placed in a box that was subdivided correspond to the Golden Section. It was then further divided using a variation of the Fibonacci series, with two scales that ended up establishing a double-helix, which Le Corbusier mentioned them as the Red and the Blue series. Basically, this Unite DHabitation was the first experimental site for the application of modulor (Deborah G, 2006). Every element in the building can be illustrated by usng the fifteen Modulor units. Those fifteen Modulor units are described in the steel of measure, the first stone and the human figures inscribed in the building. A polychromy so dazzling that the mind was forcibly detached from the dissonances, carried away in the irresistible torrent of major color sensations (Deborah G, 2006). However, the brise-soleils framed was misproportioned by mistake. To deal with that, Le Corbusier paint the bare exterior with polychromy colours, which consist of different fascinating colours to attract the users mind rather than realizing the misproportioned of the brise-soleils framed. He also acknowledged that the human error was one of the way to get an inspiration. (Judi Loach, 1998). It is very interesting to see how Le Corbusier used mathematics to solve his design on each space. His use of mathematics through Modulor system while designing the Unità © DHabitation Marseilles seems to be contrasting to him as an artist. In addition, it also shows that he really use human proportion while designing which shows a good thing which every architect should really done that, considering human proportions. It is very clear how he used the figure of the man to eventually show the proportion of the space that he is creating. That is very interesting because even though a person has never been to that place, he/she can still imagine the space at the building through this image. Five Points of Architecture So we designed a structural system, a frame, completely independent of the functions of the plan of the house: this frame simply supports the flooring and the staircaseà ¢Ã¢â€š ¬Ã‚ ¦ Le Corbusier, 1914. Le Corbusier developed his Five Points of Architecture based on his Dom-ino housing scheme that he was working on during 1914. Thus, he came to a solution where he labeled the scheme as a quick and inexpensive way of reconstructing the city. In the end, he came out with above statement to solve the housing shortage by that time (Judi Loach, 1998). It was also the pioneering moment when the use of reinforced concrete starts to get around. From his attempt to bring up the standardized house, he eventually made up his Five Points of Architecture. Le Corbusier put on his own theory of this Five Points of Architecture in his book titled Towards A New Architecture, that later on become a guideline for his own building design and it become a trend for other architects too. His five points or architecture consists of the pilotis, roof gardens, free plan, vertical faà §ade, and long horizontal windows. For the first point, the columns are lift up from the ground to allow lights to penetrate through it. It also saves the ground space for parking and garden. It obviously creates a circulation space under the building.The second point is the roof garden, where the roof space is being benefited to something else. In Unite DHabitation Marseilles, the roof terrace on the top is said to be replacing the lost land under the building that was supposedly meant for recreation. The third one is the free plan. This free plan means it is free from any column support. Instead, it was supported by skeleton structure and thus helping it to be free from any interior partitions. However, since the partition walls among the apartments are load-bearing, it makes the facades to become free and thus enabling sound-proofing in between those apartments. It can be said as part o f the building success to combine both privacy and communal living. However, the free plan has become the free volume instead since the two-story apartments were integrated to each other and the entrance corridor and elevator were only needed at the third level. (Simon Glynn, 2001). The fourth point is the vertical faà §ade that supports the building. The free facades is said to be so due to the exterior walls that are not using the load bearing walls anymore, thus creating a free structural sense due to the skeleton structure. And for the fifth point is the long horizontal windows, which are the ribbon windows that can eventually helps in better ventilation and lighting (Simon Glynn, 2001). To sum up, using this Five Points of Architecture, Le Corbusier was actually creating a new possibilities for interior and exterior connection and the interior connection itself. (J.R Curtis, 1996). Purism to Brutalism Le Corbusier has built many villas and small apartment and even office building during his early years. However, Le Corbusier recognized his own style pure prisms. It was basically consists of rectangular concrete blocks, glass and steel, building lift up from the ground and even roof gardens. It also used very pure colour, as the principle that they were using by that time is that colour was associated with purity, simplicity and health (Birkhauser, 1995). Purism combined both Le Corbusier and Amà ©dà ©e Ozenfan (Choay F, 1960). They declared their own manifesto titled Aprà ¨s le Cubisme highlighting that a design approach should have give more attention to the main and simple one, which is the more important form of the objects. They did not agree and criticized the heir of Cubism which has been bringing up an art that is totally decorative and ornamental because they made up a point that fantasy and individuality would never be in modern art (Choay F, 1960). Le Corbusier shifted from purism towards another movement after the World War 11. He pioneered a movement so called Brutalism in the 1960s and 1970s (Frampton, 1992). Brutal, as dull as it is was showing the truth of the materials. However, Le Corbusier believes that it was more truthful to Modernisms basic principle (Birkhauser, 1995). For Unite DHabitation Marseilles, Le Corbusier was exploring the use of breton brut (raw concrete) for the buiding itself. A pebbled effect of concrete was brought to the buildings by bush-hammering (Birkhauser, 1995).

Jesus as Messiah, Prophet and Son of Man

Jesus, being both divine and human, is attributed the roles of Messiah, prophet and Son of Man.   The three roles are distinct from each other but the role of Messiah is the most controversial of the three because of the difference between Judaic expectation and Jesus’ interpretation of the role.   On the other hand, the roles Prophet and Son of Man are more easily acceptable by any culture or religion as they view the historical Jesus, but each is no less important.   Jesus’ prophetic role enables him to become a direct messenger from God, and his humanity provides empathy with human attitudes and feelings.   His humanity also emphasizes that his ability to feel pain contributes to the reality of his sacrifice during his suffering, and death by crucifixion.Jesus is the Son in the Holy Trinity and this gives him the identity of God incarnate, being both human and divine.   Though through Jesus’ omniscient messianic role, the prophetic role is already ex pected, there are aspects about his ministry that distinguish the role of Messiah from the role of prophet.   Moreover, while these are divine facets of Jesus, his identity as the Son of Man, or being truly human, is equally important because it gives more importance to his sacrifices, especially his death by crucifixion.   Meanwhile, Jesus complies with the general description of the prophesied Judaic Messiah (Croatto, 2005, p. 464), having been born as a descendant of David, but the Jews   are expecting more in terms of a Messiah who will save his people from physical bondage.Jesus is recognized more as the Messiah rather than a prophet, because it is through being the Messiah that he is able to save while as a prophet he merely foretells what is to come, like many other prophets.   However, Jesus’ role as Messiah has become the most controversial of his facets.   The Jewish people are more ready to accept Jesus as a fully human prophet than being the actual Messi ah because of the different expectations attached by the Jews to the role of Messiah: â€Å"All the prophets affirmed that the Messiah will redeem Israel, save them, gather their dispersed, and confirm the commandments.But he caused Israel to be destroyed by the sword, their remnant to be dispersed and humiliated† (Wolf, 2001, p. 370).   In their great suffering, the Jews have longed for a Savior that will fight physically in order to save them, like a much more powerful version of human kings.   Jesus, on the other hand, has come to die for people’s sins, to save the soul instead of the body. His messianic role also involves healing.   â€Å"Jesus’ miraculous deeds in Matthew, therefore, are replete with eschatological significance and point to Jesus’ messianic identity† (Cousland, 2003, p. 770); people have waited for a Messiah who can heal.   There are many instances in the bible which refers to Jesus’ healing of physical afflicti ons along with spiritual ones.He has raised people from the dead, has cured life-threatening diseases and has released demons from the bodies of those afflicted both spiritually and physically.   He therefore, has demonstrated apt evidence that support his messianic identity.   Nevertheless, in a time of conflict and doubt, this is not apparent to people who have hungered for someone who can liberate them and have waited for so long for the fulfillment of a prophesied warrior who will bring about justice and peace.   As a result, Jesus has been tagged as a â€Å"Messianic pretender† (Wolf, 2001, p. 370).Jesus’ role of Prophet is prevalent in the Gospel of Luke.   Though overshadowed by his Messianic role, it is a more tangible role that is also supported by prophecy, particularly in Deuteronomy.   Jesus is described as the â€Å"new Moses† and a â€Å"Teacher† (Croatto, 2005, p. 454).   It is also important to know that Jesus has described him self as prophet in Luke 13:33, and is a healer-preacher like the prophet Elijah.   As a prophet, the historical Jesus is compared to past prophets like Moses and Elijah. â€Å"The prophet Jesus is the paradigm for the Christian prophetic mission.To see Christ, the Messiah, as heavenly king and monarch is not very suitable today, because of so many sad experiences of many monarchies in our world† (Croatto, 2005, p. 465).  Ã‚   This means that during these times, the image of Jesus as prophet is more important.   It can become a practical framework for modern prophets or missionaries intent in spreading the word of God.   In today’s world, monarchs and other political leaders are regarded with some trepidation or criticism.   The Jews of Jesus’ time may be longing for a Messiah who will rule as a king but today’s people will want to hear a preacher or to go to a healer.   Croatto’s statement can also mean that Jesus’ interpretation of his role of Messiah through his work as prophet and healer is a good manifestation of messianic identity.As has been mentioned earlier, Jesus’ role of Son of Man, or being truly human, adds to the magnitude of his works.   It is curious then to know the implications if Jesus’ come to the world of his people as a purely divine Messiah without a true understanding of the human condition, instead of becoming God turned Man.   In becoming the Son of Man, he fully empathizes with his people but it also means that he is not the warrior king that everyone has been expecting from a divine Messiah.   Furthermore, Jesus has become truly human to become a good example to his people of what it is to be truly human.   â€Å"The essence of divinity is fully realized humanity.   Therefore, only God is truly human, and the task set before human beings are to become human as God is human†¦Jesus serves as our model of true humanity† (Burkett, May 2002, p. 43).J esus is Messiah, Prophet and Son of Man, human and divine, and these aspects of his role in the world is emphasized by his preaching and healing.   Though Jesus is not the Savior that the Jewish people have expected, his Messianic role and prophetic mission are supported by the Scriptures.   His Messianic role is manifested in his healing, his prophetic mission through his teachings and his humanity through a direct understanding of the human condition.References:  Ã‚  BIBLIOGRAPHY   l 1033   Burkett, D. (May 2002). Our Man Jesus. Christian Century , 43-46.Cousland, J. (2003). Book Review: Messiah, the Healer of the Sick: A Study of Jesus as the Son David in  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   the Gospel of Matthew. Journal of Biblical Literature , 768-771.Croatto, J. S. (2005). Jesus, Prophet like Elijah, and Prophet Teacher like Moses in Luke – Acts. 451-465.Wolf, A. J. (2001). Jesus and the Jews.

Fahrenheit 451 By Ray Bradbury - 2826 Words

Imagine a world where no one thought for themselves, everything the citizens know is spoon fed to them via electronics, large televisions and audio devices, the only books were that of comics or those regarding rules and history that were approved by the government. Imagine a life in which everything is filtered to prevent anyone from being offended or experience a feeling of discomfort. This world does not exist in our society today, but it does within the pages of Ray Bradbury’s novel entitled Fahrenheit 451. Bradbury depicts a dystopian society filled with mechanic-like, mindless, and thoughtless individuals living a life they think is normal and comfortable, but to people of intelligence, people with an interest in freedom of thoughts and mental stimulation, this society seems controlled, close-minded and wrong. Fahrenheit 451 is a creative, thought provoking piece of literature that encompasses a futuristic society in which books are illegal and banned. Through an analysis of the novel and use of research, specifically focused on characterization, the reader will see and understand an assortment of characters. Bradbury constructed dynamic, flat, and round characters throughout the story that help the plot to develop, rise into conflict, and culminate in a finale where the protagonist rises above the rubble as a new, changed man with a life of opportunity ahead. The characters provide a great foundation to expose the many themes discovered in the story of FahrenheitShow MoreRelatedFahrenheit 451 by Ray Bradbury719 Words   |  3 PagesThe flash point of paper, or the temperature at which paper will burst in flames, is 451 degrees Fahrenheit. In Fahrenheit 451, written by Ray Bradbury, the main character, Guy Montag, is a â€Å"fireman† in a futuristic society where he and his coworke rs start fires, rather than put them out. 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Thanks to several distributors and oversensitive parents and teachers, Fahrenheit 451 has been banned in many schools overRead MoreFahrenheit 451 By Ray Bradbury954 Words   |  4 Pages In Fahrenheit 451 by Ray Bradbury, the author uses allegory (often misinterpreted by reader s) to show the dangers of mass media consumption and the decline of reading traditional media. Many readers draw incorrect conclusions (lessons learned) from the book due to how generally the book applies its theme. Government censorship, though an important topic, is not the intended focus of the novel Fahrenheit 451. Finally, Bradbury’s original message of the book shows the beauty of traditional media andRead MoreFahrenheit 451 By Ray Bradbury1592 Words   |  7 PagesWhen writing the introduction to Fahrenheit 451, author Neil Gaiman stated that â€Å"ideas--written ideas--are special. They are the way we transmit our stories and our thoughts from one generation to the next. If we lose them, we lose our shared history†. Gaiman is absolutely correct; especially because what he is saying heavily applies to books. Books are a critical aspect in shaping humanity as a whole, they create and share a network of creative ideas, history, and overall entertainment; to loseR ead MoreFahrenheit 451 By Ray Bradbury918 Words   |  4 Pagesâ€Å"Fahrenheit 451,† written by Ray Bradbury, is a futuristic, dystopian novel based upon a society secluded by technology and ignorance. In this future society, books are outlawed and firemen are presented with the task of burning books that are found in people’s homes. Montag, a fireman, finds himself intrigued with the books, and begins to take them home and read them. 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Music And Its Effect On Society - 1080 Words

Music can produce many effects, mental and physical, in listeners and participants. Cultures throughout history have recognized these effects and used music for healing, productivity, and socialization. Currently different aspects that affect individuals’ chemistry, development, and performance are being studied. The placebo effect, a common mind over matter concept, will be looked at in its relation to music. The chemistry behind music is not as revolutionary as one might assume. For simplicity music is stimuli and the body has automatic responses to it. The base response is the brain stem reacting to the tempo of the music (Chanda and Levitin pg 186). Music increases blood flow in several regions of the brain, and dopamine bonding which allows for better processing and more enjoyment (pg 182). When stimulating or fast music was played cortisol levels increased, and with relaxing music cortisol decreased; cortisol opens pathways used for anti-stress and anti-inflammato ry processes. Listening to music and singing also increased production of Immunoglobulin A, an antibody (Chanda and Levitin pg 184). This chemistry is the body preparing itself for action; this action will be discussed to better explain what is happening when music is listened to. There is widespread public knowledge of music’s effect on the development of children, mentally and physically. Participating in Physical Education activities paired with music with clear rhythms assists in theShow MoreRelatedMusic And Its Effect On Society1500 Words   |  6 Pages Music as life provider, never would I have suspected that music could possess a strong element in treating the human body, despite the pure entertainment, music can give to us, it cannot compare to how it affects people. The main reason for it would be how it is used for medical purposes, how it is affecting us (health wise), and how it helps educationally. There are a lot of interesting aspects that music brings and it is identified as analgesic and anxiolytic. It has been used as a therapeuticRead MoreMusic And Its Effect On Society1524 Words   |  7 PagesMusic to Mind Statistics show that the average American listens to around four hours of music each day (Stutz 2). This means that Americans listen to roughly 1,460 hours of some type of music every year. If people listen to this much music, there has to be a way to use it for good. Once people stop thinking about music as just an extracurricular or a way to pass time, the music movement will grow by showing others what crazy things it can do. Right now, America is all about using everyday activitiesRead MoreRap Music And Its Effect On Society Essay1277 Words   |  6 Pagesthink that it is only classical music that has a positive effect on society because of its soft tune and melody, but in fact rap music can have that same effect. 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Nowadays, rappers such as Kanye, Soulja Boi,Read MoreElectronic Music And Its Effect On Society1595 Words   |  7 Pages When it comes to electronic music the general assumption is that it is mindless noise that can be created by anyone with a music program and a laptop. The reality is that the process of creating electronic music is very complicated and tedious. It is also likely that the same people that say they dislike electronic music or that it isn’t real music enjoy listening to it without their knowledge of it. Electronic music is not only found almost everywhere but creating it can be compared to writingRead MoreMusic Therapy And Its Effects On Society1697 Words   |  7 PagesFortunately, for the people facing these issues, there is. Music therapy is a relatively n ew approach that doctors, teachers, and many others are taking to help heal and improve the quality of life for their patients and students. It’s starting to become more common around the United States and is expected to become even more popular in the future. Books like Chinua Achebe’s Things Fall Apart support the idea of music therapy by demonstrating how music can be used to soothe and improve the moods of individualsRead MoreChinese Music And Its Effect On Society1622 Words   |  7 Pages Chinese Music has been around for thousands of years. Their music is created to entertain the high royals in china as well the people. According to the China Highlights, the traditional music was so important because it was the ideal society to help conduct and govern them. It was also used for not for entertainment, but for musicians to accomplish a political and social goal. For more than centuries, learning how to play an instrument was taught at a very young age. Growing up, they would goRead MoreRap Music And Its Effect On Society1915 Words   |  8 PagesAs a whole, â€Å"Rap music† is a misrepresentation of black culture. Rap teaches youth that violence, demeaning women and participating in criminal activity are acceptable in today’s society. Despite the rap artists’ that do use self-expression as a means of changing the way listeners view society, rap music contradicts the good that it can create. Rap is proven detrimental toward society, despite the p olitical views most believe it provides. Simply stated, raps contradictive nature makes it impossibleRead MoreMusic Therapy And Its Effect On Society1786 Words   |  8 Pagesabout my own experiences with music and how music affects all mankind, I wondered how others were affected by music. Does music really make a difference or is it just an opinion. As early as the days of Aristotle and Plato, it was believed music had healing powers. (1- AMTA) When I began researching music therapy, it was much different than what I expected but I do believe it is a career that can beneficial to all. As I continued to explore the benefits of music therapy, I found much research